Monday, December 24, 2007

The Downward Spiral pt.3

Here is part 3 to my short story The Downward Spiral. If you didn't catch the other parts they are as follows:


Part 1
Part 2



[Henri’s Quarters]

Henri sat in his quarters against a wall on the floor. He left the bridge and had immediately gone to his room. Why bother going anywhere else? He leaned against the wall, a few feet from the door with his head in his hands. He wasn't going to cry. He wasn't going to thrash about the room and tear it apart. There was no point. What could he do that wouldn't be fixed in a few seconds by the plunders of modern technology? What could he do to break the cycle

He rose from the floor with a groan and hovered to the replicator. "Whiskey" was all he said in a gruff voice.

{Synthohol is all that is available aboard Starfleet vessels. Would you like Synthohol whiskey?}, the computer replied, in a response warmer than Henri had received in days. Disgusted by the jovial reply, Russo swung a punch at the machine and heard a crack. He wasn't sure if it was the polymer on the replicator or the bones of his hand. He was numb to sensation of any kind. Without the relief of vacation from consciousness, Henri tripped back to his spot on the wall, in between his bed and the door. Sitting, Henri reached under his bed for a small, metal box.

With his legs outstretched, he slid the box in between them. The box could end this void of feeling in his pitiable life. The box could erase his apathy. Russo left the box where it was and resumed his stance, head in hands, against the wall. The pathetic lieutenant could make nothing different in life. His childhood made no mark on the world. His career in Starfleet made no one's planet a better place to be. He was in charge of power distribution of a star ship, a task that he could have automated months ago. He was a worthless cog that could be taken out of the machine with no consequence to the rest of the rushing locomotive of the crew. So why shouldn't he. Why shouldn't he take himself out of the gears of the locomotive?

Henri slapped the lid off of the box and reached for the glinting savior inside. The box could perpetuate the status quo, but without the worthless cog. Efficiency at work. Evolution in a sense. Natural Selection at its finest. The self-removal of the weak. What else could Darwin have asked for?


Henri held the Carbon-fiber Conservator to his chin and sighed. Why shouldn't he? There would be a short investigation, an open-and-shut case. No harm to anyone, just the automation of banal duties and a story to tell the new recruits; The Ops officer that went off the deep end. Even if he was remembered as a crazy and a basket-case, is being remembered as a perverted crack-pot any worse than not being remembered at all? The cold metal of the messiah at his chin was warming. His decision was made and it was time for decisive action.

Henri tensed his hand to pull the trigger, but nothing happened. Brain waves sent the message to the nerves. Nerves told the muscles to move. Tendons tightened and ligaments constricted. The broken bones of Henri's fingers slackened the muscles and nothing happened. Nothing. Just as every other moment in Henri's pathetic life, nothing happened.

Henri dropped the ancient hand gun from his limp hand to the floor beside him and replaced his head in his hands. As he sat in the dark corner, Henri Russo wept.


And that's all folks. I plan on writing some other fiction sometime soon. And for those who celebrate it, Happy Christmas.


~Mike



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Saturday, December 22, 2007

The Return of the Coen Brothers

The latest piece of cinematic art from the Coen Brothers (Fargo, The Big Lebowski) is an absolute gem. No Country For Old Men stars big names such as Tommy Lee Jones and Woody Harelson, but the stunning performances came from lesser known actors Josh Brolin (as the quick-thinking Llewelyn Moss) and Javier Bardrm (A quirky and esoteric South American assassin).

In the beginning of the film the plot is believable and rather straight-forward. As the film progresses, so many ridiculous happenings convolute the plot into something strange yet still endearing. Brolin's character finds some money that is presumably part of some illicit deal. The enforcer for the less-than-legal organization takes up the cause of chasing Brolin in an attempt to get the case back.

Another perplexing, but captivating facet of the movie is the minimalistic and peculiar nature with which the movie is directed. There is little dialog and when it is there it is... unique. No one ever really mentions anything about the motivation of the assassin, only that he means to kill Llewelyn. No one mentions where the money came from, only that it is there.

These omissions from the plot are more than just plot-holes because they allow the viewer to decide what they want to happen or what they hope will happen (and I can almost guarantee the viewer rooting for SOME character). The characters are so alluring due to the fantastic writing of the Coen Brothers and all of the aberrations that make them so unique.

The assassin, for example, carries around what appears to be an air tank with some attachment. Without spoiling anything, he uses the device for multiple purposes from punching in locks to killing people. I mean.... WHAT? An AIRTANK?

No Country For Old Men is cinematic gold. This film will gladly be added to the ranks of favourite films along with the Coen Brother's other masterpieces such as Fargo and The Big Lebowski.

~Mike

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Monday, December 17, 2007

A Cop-Out!


I have a couple writing assignments due soon so without further adieu...... a guest review! Emily Senerth writes about Jimmy Eat World's newest album Chase This Light!


I heard the Jimmy Eat World album ‘Chase This Light’ for the first time about a week ago. In the interest of full disclosure, I’ll admit that my previous experience with this band is limited to the radio play of their single ‘The Middle’ in 2001, despite ‘Chase This Light’ being their sixth album. I think someone tried to introduce me to their mid-90s stuff when they hit the mainstream, but I’d be lying if I said I was paying attention.

My first impressions of these songs after an initial run-though are as follows: This album is fairly consistent with my preconceptions of what the band would sound like. Every track is guitar-driven, with a pulsing guitar chord beating just beneath the vocals and establishing the energy of the instrumentals. Despite being perhaps the most distinctive musical element, the guitar sounds [though probably isn’t] fairly simple, but somehow is not boring. Another thing I noticed almost immediately is that, despite the band’s possible intentions, no track distinguishes itself as a single. I was pleased to observe the absence of any contrived melodic ‘hooks.’ On the other hand, the musical landscape of ‘Chase This Light’ is cohesive almost to the point of being monotonous. This is not a CD that I would seek out in a playlist of 100+ songs, however, there isn’t a song I would skip over either.

After going though the album again, I began to hear the lyrics a bit more. They are generally optimistic little snippets of life as a young, middle class, introspective suburbanite. I will refrain from using the word ‘emo’ because that label is totally played out at this point, though I’m sure some would characterize ‘Chase This Light’ that way. Overall, I wasn’t a fan of their word choice as it tended to be trite and occasionally nonsensical. Fortunately, it’s not hard to let the vocals fade into the larger sound of each track.


I found it difficult to review individual tracks because- as I mentioned before- they are by and large very similar, all being consistent with the Jimmy Eat World aesthetic. The songs best distinguish themselves when listened to side-by-side. In a close comparison, nuances in the composition are recognizable, but do not interfere with the overall continuity of the album. This is not, in my opinion, a CD of disjointed Top-40 singles produced by Pharell Williams for some token alt rock band like Fall Out Boy. Rather, it’s a purposefully unpolished, occasionally soulful collection of riffs on the band’s established talents and distinctive sound. If you like Jimmy Eat World, you will enjoy this album. In fact, the more I listened to ‘Chase This Light,’ the more I enjoyed it.


That being said, here are my highlights and lowlights:

Highlights - Big Casino [First track starts the album off on a high note, sets the tone for the rest of the listening 'journey'], Feeling Lucky [a relief after the dragging Gotta Be Somebody's Blues], Here It Goes [I enjoyed the harmonizing of the vocals here], Firefight [my personal favorite, good balance between the dissonant vocals and guitar, steps outside the 'I'm a teenager with big dreams' trope and exhibits a little more imagination, demands attention]

Lowlights - Carry You [Slows the overall tempo, somewhat maudlin, not my favorite song], Gotta Be Somebody's Blues [they're trying for eerie and searching, but miss the mark by overshooting], Chase This Light [as the title track, I had some expectations for this song that were not realized by the actual piece, it was one of the cornier tracks on the album]

Finally, not a matter of opinion is that ‘Chase This Light’- like any music worth listening to- should be listened to at top volume; preferably while driving fast, walking through a crowd, or doing some soul-sucking chore like emptying the dishwasher. It might get you a noise complaint from the neighbors, but it will be worth it.

If you enjoy this album, I would recommend Angels and Airwaves, Shiny Toy Guns, and Mates of State.

Sunday, December 16, 2007

The Downward Spiral pt.2

Monday, December 10, 2007

The End of the Television As We Know It


NBC, Newscorp, FOX, Bravo, Scifi, FX, and more have recently created a website with which they stream their hit (and otherwise) shows for free to viewers across the world. The site is called Hulu, and it might just be the first step in the destruction of television.

Hulu streams hundreds of episodes from many of the most popular series on television with limited commercial interruptions (less than on TV) and no service charge. The medium quality videos are played on a smooth, ergonomic interface with decent sound quality.

The system is not without flaws however. Though the comment system seems like a nice addition to the experience of watching Heroes and The Office, I can see it becoming extremely out of hand. There is a reason that there are no user comments on television....

I foresee many hateful people and trolls posting asinine comments and spoilers simply for the sake of angering others. Without constant moderation on all of the thousands of videos posted on the site, the system for leaving comments will be littered with inane hate-speech and show-ruining garbage.

With some hard work and commitment, all of the networks that have posted videos on the site could see a markable increase in web 2.0 profit (if this whole writer strike things EVER gets fixed...). When the site comes out of closed beta I will write another check up on the so-far-quality service.

~Mike

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The Downward Spiral pt.1

Sunday, December 2, 2007

My Short Story

As hinted in a recent comment, I will be posting a short story that I wrote, in 3 parts (as soon as I finish it). It took me a while to get the story drafted and the process of finalizing it is taking me forever. Thanks to a friend for copy-editing it (this friend will hopefully be guest-writing in the meantime until I get the story finished). Thanks for the patience and readership as I get this story done.

~Mike

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