We interrupt this string of Nerdcore posts for an important Indie update...
I have lately been listening to some freakishly good music from a band with a freakishly cool name: Vampire Weekend. It would seem I missed the 'popular train', but apparently they achieved some minor internets fame. Regardless of my continuous string of tardiness, I will tell you about them.
When I heard this band I pictured a couple of guys from an urban area in Africa who liked the western sound and added their local flavour to make a symphony of awesome. When I looked up a picture of the band (and their history) I felt like an idiot.I found out that they are, not only shape-shifters pretending to look like some white kids from suburbia, but a couple of friends from Columbia university who are fantastic musicians.
Their debut CD, Vampire Weekend, starts with the almost Reggae sounding Mansard Roof. The exotic instruments found in the song further enhance the African vibe. With the almost-tribal sound of the instrumentals, it is funny to hear lyrics about colonial architecture and city life. The song itself is upbeat and fun, warranting a spot on my "favourite song" list.
Track two happens to be another of my favourites, which lends me to believe these Vampires know a thing or two about starting a CD right. Oxford Comma, as the second track is called, features more conventional instrumentals (with a few exotic sounds that I couldn't recognize) and some fun; using-songy, but intelligent lyrics. A fun song indeed.
A quick and punk-y bassline can be heard prominently in Track 3, A-Punk. The seemingly conventional sounds of the intro made me think that the African vibe was only meant to be in track 1, but once the vocals picked up, I caught the Souke vibe again.
I followed the Souke vibe to track 4 entitled Ape Cod Kwassa Kwassa. It features some great vocals (subdued at some points but quick transitions to more reggae shouting). I really like the laid-back nature of the song. It shows the range of the band that they can play such upbeat and fast songs like A-Punk and switch to slower, more heart-felt vocals. A credit to the band, though not one of my favourites.
Next is M79. The lyrics of the 5th track are great. The use of metaphor to describe New York are fantastically entertaining. This is another of my multitudinous favourite tracks off the album. The classical instruments make the song either sophisticated or satiric... I assume the latter, as the band seems anything but serious in their songs. It's hard to explain the mixture of classical background with African sounding Indie vocals, so instead I say... LISTEN!
The next song, Campus, makes me think that the band enjoys what they do. A quick bassline, reminiscent of A-Punk mixed with the everyday narrative of the song make for a fun but identifiable love story between a teacher and a student at university. Its either hilarious or sad, I can't tell which.
The next song, Bryn, and the one two tracks away (I Stand Corrected) where my two least favourite. Its hard to pick least favourites because they both have redeeming factors. The meaningful and deep lyrics and cello in the two songs (respectively) are nice, but against the other songs don't jump out at me. Similar is the sandwiched track, One, it's fun, but gets annoying as the track drags on.
Walcott, track 20, lends some story to the album and the name of the band/album. The band members say the name shares the same name as a film they made about a boy who has to go to slay vampires by order of an elder. The lyrics seem meaningless until hearing the story at which time they become funny and dragged me into the story. It is a good way to end the album.
Its a great album with a very fun sound. I recommend it highly and listen to it thoroughly. Pick it up anywhere that records are sold! or... something.
~Mike
_\\//
I have lately been listening to some freakishly good music from a band with a freakishly cool name: Vampire Weekend. It would seem I missed the 'popular train', but apparently they achieved some minor internets fame. Regardless of my continuous string of tardiness, I will tell you about them.
When I heard this band I pictured a couple of guys from an urban area in Africa who liked the western sound and added their local flavour to make a symphony of awesome. When I looked up a picture of the band (and their history) I felt like an idiot.I found out that they are, not only shape-shifters pretending to look like some white kids from suburbia, but a couple of friends from Columbia university who are fantastic musicians.
Their debut CD, Vampire Weekend, starts with the almost Reggae sounding Mansard Roof. The exotic instruments found in the song further enhance the African vibe. With the almost-tribal sound of the instrumentals, it is funny to hear lyrics about colonial architecture and city life. The song itself is upbeat and fun, warranting a spot on my "favourite song" list.
Track two happens to be another of my favourites, which lends me to believe these Vampires know a thing or two about starting a CD right. Oxford Comma, as the second track is called, features more conventional instrumentals (with a few exotic sounds that I couldn't recognize) and some fun; using-songy, but intelligent lyrics. A fun song indeed.
A quick and punk-y bassline can be heard prominently in Track 3, A-Punk. The seemingly conventional sounds of the intro made me think that the African vibe was only meant to be in track 1, but once the vocals picked up, I caught the Souke vibe again.
I followed the Souke vibe to track 4 entitled Ape Cod Kwassa Kwassa. It features some great vocals (subdued at some points but quick transitions to more reggae shouting). I really like the laid-back nature of the song. It shows the range of the band that they can play such upbeat and fast songs like A-Punk and switch to slower, more heart-felt vocals. A credit to the band, though not one of my favourites.
Next is M79. The lyrics of the 5th track are great. The use of metaphor to describe New York are fantastically entertaining. This is another of my multitudinous favourite tracks off the album. The classical instruments make the song either sophisticated or satiric... I assume the latter, as the band seems anything but serious in their songs. It's hard to explain the mixture of classical background with African sounding Indie vocals, so instead I say... LISTEN!
The next song, Campus, makes me think that the band enjoys what they do. A quick bassline, reminiscent of A-Punk mixed with the everyday narrative of the song make for a fun but identifiable love story between a teacher and a student at university. Its either hilarious or sad, I can't tell which.
The next song, Bryn, and the one two tracks away (I Stand Corrected) where my two least favourite. Its hard to pick least favourites because they both have redeeming factors. The meaningful and deep lyrics and cello in the two songs (respectively) are nice, but against the other songs don't jump out at me. Similar is the sandwiched track, One, it's fun, but gets annoying as the track drags on.
Walcott, track 20, lends some story to the album and the name of the band/album. The band members say the name shares the same name as a film they made about a boy who has to go to slay vampires by order of an elder. The lyrics seem meaningless until hearing the story at which time they become funny and dragged me into the story. It is a good way to end the album.
Its a great album with a very fun sound. I recommend it highly and listen to it thoroughly. Pick it up anywhere that records are sold! or... something.
~Mike
_\\//
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